work by Mark Meunier |
Egg yolk consists of approximately 50% water and 25% fats, so it mixes easily with water or with oils and dries very rapidly to a strong, permanent surface. It is a brilliant, semi-translucent paint that dries almost instantly. Since it does not lend itself to washes, wet-into-wet, or oil-style blending techniques, egg tempera is best suited to short, overlapping strokes using cross-hatching. If beginning the painting with a layout drawing, use colored pencils or pastels as graphite or charcoal will show through and affect the finished painting. To reduce the dangers of cracking with age, paint on a firm surface like a wooden panel.
There are many recipes for making egg tempera, usually consisting of a pigment ground into water (paste), plus egg yolk, water and sometimes vinegar or alcohol. Since there are so many recipes and it goes on differently than other paint, it is helpful to have some solid instruction and resources on using egg tempera for the first time. Many artists paint very traditionally, working on rabbit skin glue gesso and mixing with precision. Others work in alternate media with oil paint and use modern acrylic gessoed panels.
We suggest using small round brushes for working in egg tempera, like the Faux Kolinsky series, which is one of Mark Meunier's favorite brushes for his paintings.
Below is a list of online resources for learning more about Egg Tempera Work:
- Recipes for Egg Tempera from Ampersand
- Society of Tempera Painters
- The Luminous Brush: Painting with Egg Tempera by Altoon Sultan
- The Practice of Tempera Painting by Daniel V. Thompson, Jr.
- Egg Tempera Fine Art website
- Egg Tempera Instructors
- New Techniques in Egg Tempera by Robert Vickery
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