Thursday, May 31, 2012

Artist Resources: Art Materials Blogroll

I started this blog with Dynasty to keep you artists and art material collectors in the know on good brushes and the differences in the brushes that Dynasty offers.  In light of that, I've shared some brush tips and artists' tips on using brushes.  But, no artist lives by the brush alone!  Knowing what other good materials are out there and understanding how they work, how they are made and who makes them is important in creating great fine art.

So, I thought I'd share with you some of the other art material blogs that I follow.  This list is definitely not comprehensive and I'll add to it as blogs are created and come to my attention.  If you have a favorite art blog, please let us know!

Utrecht is both a manufacturer of art materials and a retailer, with stores located all over the United States.  Matthew Kinsey was one of our featured artists a few weeks back, working at Utrecht as their technical resource guru and material expert.

Strathmore Drawing papers
Gamblin -- (technically a newsletter)
Gamblin Artist Colors makes high quality oil paints, mediums and inks for artists.  Scott Gellatly, a featured artist here on Dynasty, is the Product Manager at Gamblin and author, sharing current Gamblin events, competitions and artists using their products in the online newsletter.

Primarily a paper manufacturer of all types of artist papers, including Bristol, Drawing, Sketching and Watercolor.  William Rose has work featured on some of their 400 series pads.  Their blog features workshops, technical information and product details.

Selection of colors from Williamsburg Oils
Small oil paint company producing high quality oil paints.  This blog is written by oil paint technical expert and artist, Sarah Sands.  She shares pigment and technical information about the paint as well as takes questions on the blog.

Colored pencil and pastel manufacturer of quality, soft lead pencils and blenders.  This blog is about artists and the materials they use.
Small company selling traditional painting and drawing supplies, paints and pigments.  George O'Hanlon writes both of the blogs on both pigment history, use and painting techniques. 
A new blog from Michael Skalka, about the history of pigments and the use in historical art from both an artist's and conservator's perspective.

Ampersand Art Supply produces high quality art panels with a range of surfaces; this blog features artists using those products as well as tips on how to work on panel.  Andrea Pramuk, a featured artist, is the marketing director there, and I am also the primary author there. ;)


Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.

Tuesday, May 29, 2012

Fine Art Brush Tips: Paint Brush Size

Sizes are labeled on the handle, along with line and company
Understanding brush sizing is difficult because the sizing is different for each country depending on the materials available, the standards of those regions and sometimes the individual company creating the brush.  Not to mention, sizes change according to brush types, hairs and mediums.

However, the basic thing to keep in mind is understanding how sizes are created.  Brush families are built in sizes, based on the medium usually, ranging from zero sizes up to the mid-20s or 30s.  So, the length of the tuft, size of the ferrule increase with each step up in number. 
Mongolian Sable Round family in 3 sizes
In the U.S., the standards for oil painting brushes are based on two sizing types, either "Bristle sizing" or "Sable sizing".  Bristle sizes are larger than sable.  For example, the Black Gold 1526 B/F is Bristle size and a size 6 is approximately 1/2" wide.  Interboro, for example ranges from size 0 to size 24, the latter being 2" wide.  Whereas a Black Gold 2206 is Sable size, and a size 6 is 1/4" wide.  The sable sizes go from 0 to 20, which is 7/8" wide. 

Watercolor brushes with Dynasty go from 20/0 to 36!  A nice fat jumbo round as in the Black Gold 206 round series.   Dynasty has been using this sizing system for 83 years.

In Europe, the brush companies use a different standard,  where a size #24 is close to the U.S. size 12.  Asia has other standards and sizing altogether.  

According to our Vice President, Jeff Mink, "It's important to consider the actual size of the brush, not just the size imprinted on the handle."  If you're shopping for brush sizes recommended by another artist, especially if you're unable to see the brushes in person, ask for the diameters or widths of the ferrule so you can find a similar size.


Keep Painting,
Karyn

For more brush information, check out the Dynasty Brush website.

Thursday, May 24, 2012

Artist Spotlight: Michael Skalka

Chesapeake Bay, Before a Storm
"Cheap brushes are frustrating because they loose hairs.  They don’t hold their shape and the artist has to pay attention to the brush and how to overcome its problems rather than concentrate on the painting at hand." ~
Michael Skalka

Michael Skalka would know about brushes, as he manages a collection of several hundred, has researched art materials for years, works with many art material manufacturers and conservators and paints in his spare time.  Michael is the Conservation Administrator at the National Gallery of Art in Washington, D.C., working in the art industry for more than 25 years.  With his own background in art history and museum studies, Michael pursued gallery work out of graduate school and found his interest in art materials piqued with the contacts he has made in the industry.  Getting to know conservators, manufacturers and material experts at NAMTA, ASTM and conservation seminars has not only given Michael expertise in art materials but also enhanced his own painting.

Eastport at Sunset
Michael started painting during high school, a summer art class studying plein air in oils.  He had no formal training outside of the class, but continued to paint throughout college, stopping once work, family and other interests came into play. It wasn't until his work at the National Gallery that he took it up again with Ross Merrill, the previous Head of Conservation at the National Gallery.  Together they were involved in plein air painting and outings with MAPAPA, the Mid-Atlantic Plein-Air Painters Association. Michael has now been with the organization as a member and on the board as well as painting quite a bit on the west coast.  Finding landscapes to be his preference, Michael steers towards oils and sometimes watercolors as they have given him the working time he needs for warm coastal weather.  He has always had an interest in how things are made, and Michael has taken advantage of his time and connections within the art industry, getting to know companies that make the products, reading as much as he could and attending lectures or ASTM meetings to get to know these products better.  With his understanding of materials, paints and brushes in particular, Michael has been able to educate other artists and historians in the field as well as steer his own art work.

Yellowstone National Park
Since Michael works primarily in oils, he leans towards natural bristle brushes for his work, sometimes leaning into the sables for the softer details.  Flats and filberts primarily work for his plein air, laying in the underpainting and using smaller sizes for some of the finishing details.  Michael chooses his brushes by how they deliver paint, rather than just the feel of the brush in his hand.  He doesn't look at just the type of hair that a brush contains, but rather takes into consideration that any hair, synthetic, natural or combination, might provide the end result he desires.  In light of that, when choosing a brush from the store, he looks at the chiseled edge, the spring it provides and whether the brush has a large belly for holding paint.  He also considers the handle, whether or not it is coated, comfortable in his hand and how well the ferrule is attached.  It is a lot to consider, but choosing quality, putting the brushes into circulation, and keeping them clean means that he has brushes over 40 years old that are still in great condition.

Big Sur, California
Michael recommends buying quality when purchasing brushes by leaning towards brands that are well established and have a reputation for quality.  It can be tempting to purchase the cheapest materials, not knowing what will work, especially if you are new to painting.  However, buying better quality is not only going to improve one's painting and practice, but the brushes will last longer.  Purchase flats, rounds and filberts to start, sizes and hairs depending on the medium.  "A few riggers and some short flat brushes work well for putting in details.  Some of the novelty shape brushes can be great time savers," Michael explains.  Also consider buying brushes for finishing work, like glazes and varnishes.  Most importantly, clean brushes after using them.

Currently, Michael writes the Technical Q&A for American Artist Magazine and his own blog on pigments and color.  He also manages the Modern Art Materials Collection at the National Gallery of Art, heads up ASTM Do1.57 for Artist Materials and works full time as the National Gallery's conservation administrator.  To keep up with Michael's painting and material research, you can find his blog at:  grammarofcolor.blogspot.com

FM Brush, the parent of Dynasty Brush, has donated a large selection of their highest quality brushes, the Black Gold line, to the Modern Art Materials Collection.  These brushes will be cataloged and archived with the National Gallery for conservators, researchers and scientists. 

Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.

Tuesday, May 22, 2012

Paint Brush Highlights: the Fandango

Dynasty has several patented brushes as well as patents pending on several brushes.  You can see many of these unique designs already in this blog or on the website as well as video demonstrations by artists if you aren't already familiar with the Black Gold Specialty brushes.

Most of the patents are in the designs of Black Gold brushes, including the Fandango, which means "go & dance".  The Fandango is an incredibly soft oval shaped fan brush.  It is extremely light and almost feathery in weight, making it ideal for blending, hair or fur details, or foliage. It can create sharp, wispy lines and still holds a lot of fluid, considering there are layers of hairs to create the tuft.

To see a demonstration of this brush and learn more about it, check out Jill Fitzhenry's video demonstration below:




Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.

Thursday, May 17, 2012

Paint Brush Highlights: Black Silver Line

Black Silver flat long handle with watercolors
The Black Silver line has been around with FM Brush for seven years, available first in Europe, South American and Asia and now available in North America. This line has been featured now at several art conventions with Dynasty and I thought I'd bring it to your attention here so that you can see the quality.

The Black Silver brush line is a proprietary mix of synthetic hairs designed with a large reservoir to hold any type of fluid medium with a sharp chiseled edge that stands the test of time and frequent use.  They come in flats, brights, rounds and filberts with smooth long handles or in flats, rounds, liners, fans, brights or angles with the short handle. The series is also now available in an assortment of decorative painting brushes.  Finished in a smooth silver handle with a black chrome plated ferrule, these brushes are excellent for a range of media, painting styles and levels. AND, the price is unbeatable for the quality. 

Black Silver line of shapes
I have found that work quite well with a heavier bodied paint as the hairs are don't give under the density of the paint, but they still hold a  sharp edge and great spring.  For my acrylic work, the flats and filberts are superb.  The brushes also work well for details and lining in watercolor or ink.

To learn more about the Black Silver line, you can check out the Dynasty website or stay tuned here for upcoming video blogs in the next few months.

Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.

Tuesday, May 15, 2012

Fred Mink: Lifetime Acheivement at NAMTA

FM Brush booth at NAMTA in Orlando, 2012
"The International Art Materials Association’s mission is to provide its art/creative materials industry members with the products, services and information they need to grow and prosper. " - from the NAMTA website

NAMTA, the International Art Materials Trade Association,  just finished up last week, with their annual convention in Orlando.  NAMTA has been around now for sixty years, including in its membership retailers, suppliers, and sales representatives.  Each year, there is a set convention for sales, for seminars, displays, new products, and conversation about the goings on in the industry.  This year, Dynasty, part of the FM Brush, Co.  shared its completed goal of developing a synthetic for every line of natural hair as well as encouraged sales of the Black Silver and Faux Kolinsky lines of brushes.

Frederick Mink
On Thursday, Fred Mink, the president and CEO of FM Brush, was honored with a lifetime achievement award from NAMTA.  Think "Oscars" of art materials.  The Lifetime achievement award recognizes those who have had a profound impact on the industry or who have spent much of their lives in the industry.  It is the highest award given by NAMTA. 

Fred Mink left college with a degree in physics and pursued work as a research scientist including some time with NASA for a bit before returning to the family business that his grandfather started with FM Brush in 1969.  Since his return, both of his children and brother have joined the family company.   Mr. Mink has now been in the industry for over 40 years, developing the Dynasty lines, the cosmetic lines and private labeling, as well as pushed the development of synthetic hair brushes and continues to develop brushes for particular media and artists.  Congrats to you, Mr. Mink, it was well deserved.

FM Brush had a wonderful show at NAMTA this year with the award for Mr. Mink and a special champagne toast at the booth to honor his work.  

For more information about NAMTA, refer to their website or Facebook page.

For more information on the larger company of FM Brush, refer to their website: www.fmbrush.com

Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.

Thursday, May 10, 2012

Artist Spotlight: Colette Pitcher

Hollyhock Bee
It is said that an artist must only do one subject in one style and media to be recognized.  The Renaissance masters did not understand that and neither do I.  The world is too full of wonderful things to only choose one item and do it over and over – how dull! ~Colette Pitcher

Colorado artist Colette Pitcher is one of those artists that can just about do it all.  Not only is she proficient in both acrylic and watercolor, but she has written books on both, "Watercolor for Dummies" and "Acrylics for Dummies", produced how-to videos, teaches ongoing workshops on both, and started the "Showcase Art Center" in Greeley, Colorado with art classes, galleries and supplies.  Not to mention she finds time to paint and creates life size bronze sculpture with her husband, putting in an installation in New York this month for a memorial of 9-11 on Long Island. 

Colette began her work out of college as a professional artist, working as a graphic designer, but gradually transitioned into her own businesses.  She chose watercolor as her preferred medium because of its unique challenges.  "It takes time to master," she says.  Colette leans towards the Watercolor Medley series from Dynasty for her work, because the brushes have a quality point, plenty of spring and a large belly for holding the fluid needed in watercolor.  She can accomplish both the fine details and large washes with a number 12, for example.  Within the Watercolor Medley, there are several brush hairs to choose from, so an artist can have a preference as to what works better for their style.

Tomato
For students just starting out, as Colette explains in her books and videos, she recommends a round, script liners and a 1/2" flat.  But, she also says that an artist should have plenty to choose from, so that the art represents the subject rather than looking specifically as though it is just a painting created with single flat brush.  Art is better when the artist chooses better materials.

In fact, Colette teaches that very principle in her workshops.  "An easy way to improve your skill level is to purchase better materials; move up from student grade to professional grade.  You never want to use materials that will frustrate you into giving up art," she explains.

Later this month, Colette is flying to New York for the unveiling of a bronze sculpture, "Every Day a Hero" that she and her husband designed and built for remembering the first to respond on 9-11.  You can read more about the sculpture and see videos of it being built here:  rotarymemorial.com.

To see more of Colette's work, find out about her book or check out her videos, refer to her home website:  Colettepitcher.com or Livingwatercolor.com


Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.


Tuesday, May 8, 2012

Fine Art Brush Tips: Natural Brush Hairs

IPC Large soft oval brush, made from black goat hair
When it comes to choosing what brushes to use, an artist has to consider the medium, their own style, and then look to what is available.  With brushes, the first choice is bristle or hair.  If the choice is hair, then the second choice is whether to use synthetic or natural.  As the market develops, synthetics are becoming more durable, more realistic and more affordable.

However, if you are a traditionalist, or just an interested party, the natural hair selection is something to consider and understand.  I have created a table below outlining all of the types of the natural hair available, short descriptions and then the brushes from Dynasty that would work for those natural hair choices. 

Dynasty has high standards for it's brushes, taking pride in protecting our environment and endangered species, so any hairs used in our natural brushes are taken as a by-product of another industry from animals not endangered.  However, the synthetics mentioned as substitutes for natural hairs are specifically engineered to match those hairs, holding true to the properties of those animals.  You'll be amazed at the resulting brushes.

Hair Type Medium Description
Dynasty Brush
Badger oil Hairs are thinner at roots with bellies near the tip providing a bushy appearance.  Known for blending oils, very soft tufts.  The best are high mountain badger, found near the Pyrenees; however, badger hair is found worldwide.


Boar or Hog
(bristle)
oil & acrylic; house painting Bristles are technically hog hair.  Bristles are flagged or split at the ends; high quality brushes are interlocked with natural bristles curving inward.  Only natural or bleached white bristles are used for fine artist brushes. The highest quality are from the Chunking region in China.
Interboro or Beau Blanc
Camel watercolor Not actually from camel, but rather from a mix of other animals:  squirrel, goat, ox or pony.
Camel Hair Watercolor
Fitch oil & porcelain painting Closely related to the Ferret, a member of the weasel family.  Very fine hair, highly resilient conical shape, similar in quality to the red sable. 
Mongolian sable
Goat watercolor mops & dry media Wavy along the entire hair length.  Two types available, the single drawn has the natural tip and the double drawn are hairs cut in half, so they lose the natural tip.  Taken from all parts of the animal, exported from China.
IPC large soft oval
Kolinsky Sable oil & watercolor Highest quality hair available, large belly and long hairs hold lost of fluid in painting.  Only the tail hairs from the Kolinsky are used, male hairs are longer than females and more resilient.  The highest quality brushes are made solely from male.  The golden brown hairs have excellent snap and resilience.

Kolinsky Sable or Faux Kolinsky
Mongoose oil & acrylic Strong resilient pointed hairs that wear well, but not fine enough for watercolor.  Also known as royal sable or crown sable. Since Mongoose is endangered, no mongoose hair is used in FM Brushes. 

Mongolian Sable
Ox lettering & watercolor Hair from the insides of cow's ears.  It is cylindrical, not coming to a point, but resilient and has a strong snap.  Primarily used for flat brushes or mixed with squirrel for sign painting.
Dynasty Series 2300 watercolor
Pony or Horse-body acrylic, tempera, watercolor Cylindrical hair that is more expensive than goat, but less than squirrel.  Has a dull matte finish but strong and soft, though not as strong as goat.  It does not point well, and often used for school grade brushes or cosmetic brushes. 
Art Education Brushes
Sabeline watercolor & calligraphy Ox hair that has been bleached and dyed to resemble red sable.
Faux Sable or Dynasty Series 2300 watercolor
Squirrel watercolor, ink & calligraphy Grey Squirrel is from Russia and in short supply; Brown Squirrel is usually for school grade brushes, fine thin hairs that point well.  Very little snap.
Faux Squirrel or Pure Squirrel Quills
Weasel, Pahmi or Red Sable oil or acrylic Similar in working properties to Kolinsky sable, but shorter hairs and more affordable.  Only weasel hair from Asia is long enough for brush-making; like Kolinsky, they have conical shapes and good points.
Mongolian Sable or Pure Red Sable


Keep Painting,
Karyn

For more brush information, check out the Dynasty Brush website.

Thursday, May 3, 2012

How Artist Brushes are Made

Squirrel Hair, ready for the build
Elena Boca, fine hair artisan, patiently mixing hair by hand
Closer look at Elena's work
Master Brushmaker, Ursula Staiger, measuring ferrules
Black Gold brushes getting imprints
Modern artist brushes might not be made that differently than brushes from the turn of the century or earlier; they are still created by hand, measuring and placing hairs in the ferrule gently, crimping ferrules to wooden handles.  Each brush at FM Brush, the parent company of Dynasty, is created with precision, patience, and quality control in every step.

Stacks of ferrules and hair wait to be assembled.  Hair is imported from all over the world because some of the best natural hair is dressed in Europe or Asia and some of the best synthetic hairs are made in Thailand or Japan.  FM Brush has been working with some of the same hair suppliers since 1935; these people know the business.  

Brush makers use hair measured by weight to carefully place into the ferrule, shaping by hand or by cup, clamping the ferrule and moving to the next one.  Ferrules and tufts are measured for accuracy and moved along to the next step.  Another brush maker applies a warm adhesive to each ferrule and bakes the heads so that the hairs are tightly sealed within.  These brush heads meet up with the prepared handles later on.  

Each handle, whether made in the States or imported from the sister Thailand factory are hand stamped or imprinted with the type of brush, the series and the Dynasty name.  Then the handles are crimped into the ferrule, always double or triple crimped for a secure fit.  At each step, the brush makers will check the previous step for consistency, so the quality control is superior. 

Once the brushes are crimped, they are packaged and then prepared for shipping.  FM Brush not only makes the Dynasty line, but also a full cosmetic line, Beauty Strokes, and quite a few private label brushes.  So, there are thousands being created and processed every day.
Completed brush with chiseled tuft

For more information on specific brushes made by FM, check out their full website:  FMBrush.com.  To learn more about the brushes FM creates for fine artists, refer to the new Brush Highlights on the blog or the Dynasty website.


Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.

Tuesday, May 1, 2012

Sneak Peek: New Artist Brush Stylus

There are styluses on the market and even a few brushes, but I was able to get in a sneak peek test while I was at the factory on Monday and this brush is AMAZING.

With so many options for digital drawing and painting, and so many tablets, it is time for an artist brush.  The difference between using a synthetic hair brush on a tablet and my fingers is the same as trying to fingerpaint instead of using a brush with oils.  There is no lag or drag with the brush like there is with my finger.  I wouldn't have noticed the finger drag until I picked up the brush and felt how smooth it moved across the screen.  I cannot wait for these to be released in early summer.

The bristles are synthetic ionic, able to hold a small charge like our fingertips so the tablet or phone screen responds.  What makes the Dynasty brush stylus unique is that it is retractable to protect the brush when not in use, and attractive to boot! 

So far, I've only tried the brush on a few standard applications on the iPad, but I'll be downloading a few more drawing applications this weekend.  With the ability to print out my work and then create mixed media works, what more could I want as an artist and art material fan?  So tell me, what are your favorite drawing applications?  


Keep Painting, 
Karyn 

For more brush information, check out the Dynasty Brush website.